playing catch-up: sxsw, she & him, owen pallett & more

Sorry I have been M.I.A. lately! I need to get better at keeping up with this. I’ve been pretty busy — went to Austin for my first year of SXSW, have been going to a sick amount of shows lately, and the whole full-time job thing is sort of time-consuming (but I’m loving pretty much every second of it).

That being said, if you want to follow some of the stuff I’m doing, add 17 Dots to your Google Reader/RSS feeds! It’s eMusic’s staff blog and I write a bunch of stuff on there. Of course you can also follow me on Twitter, too. So, uh, here are some links to stuff.

SXSW! I finally went to South By Southwest for the first time! Yes, it deserves lots of exclamation points!! My friend Dominick describes SXSW as a field trip for all the New York music people, and it totally is, although I also got to hang out with some awesome people from other states who I don’t get to see often or hadn’t met in person before.

Stuff I wrote that week:

DAY 1
17 Dots recap (Broken Bells, Warpaint, Basia Bulat, Washed Out, Rose Elinor Dougall)

DAY 2
17 Dots recap (Man/Miracle, Hurray for the Riff Raff, Sharon Jones, Peasant)
Those Darlins on Spinner.com (ridiculous!)
Sharon Van Etten and Sarah Jaffe on Spinner.com (They will blow your mind! Especially in a church.)

DAY 3
17 Dots recap (Standard Fare, Local Natives, the Antlers, Pains of Being Pure at Heart, Mayer Hawthorne)
The Antlers on Spinner.com (Amazing! But that’s nothing new)

DAY 4
17 Dots recap (Slow Club, Titus Andronicus, Peasant, the Antlers, Estelle)
Slow Club on Spinner.com

A couple of stories on Spinner.com:

Anaïs Mitchell on her folk opera, Hadestown

Dead Meadow on their concert film

A bunch of show writeups with LOTS of photos (all on 17 Dots):

Clogs (members of the National, w/ Shara Worden of My Brightest Diamond and Sufjan Stevens) at the Bell House, March 24

Miike Snow and Delorean at Bowery Ballroom, March 28

She & Him and the Living Sisters at Bowery Ballroom, March 29

Micachu & the Shapes at Le Poisson Rouge, March 31

The Low Anthem at Bowery Ballroom, April 14

Kaki King at Music Hall of Williamsburg, April 15

Owen Pallett at Webster Hall, April 22

Anaïs Mitchell at Joe’s Pub, April 23

Aaaand, a few record reviews while I’m at it [EDIT: I learned that if you don't have an eMusic account, you probably can't see these reviews; I'll be posting them on here probably in the near future!]:

Anaïs Mitchell’s Hadestown on Critical Mob

White Hinterland’s Kairos on Critical Mob

Tori Amos’s From the Choirgirl Hotel on eMusic

The Morning Benders’ Big Echo on eMusic

Dr. Dog’s Shame, Shame on eMusic

Sarah Jaffe’s Suburban Nature on eMusic

Nathaniel Rateliff’s In Memory of Loss on eMusic

Live photos: Bon Iver and Bowerbirds @ Music Hall of Williamsburg

OK, this post is a little late but I’m still catching up on life from the past week or so.

The Bon Iver and Bowerbirds show on July 30 was phenomenal, as expected, but I didn’t have time to write a formal review since it ended at midnight then I had to go home and pack, sleep for two hours, and leave for the airport at 5:30 a.m. You’d think that fans would feel kinda ripped off by a headliner who only plays about 10 songs, but this definitely wasn’t the case with Bon Iver … but he only has one album so far. Also, some of those songs are pretty damn long. It actually seemed more like a co-headlining set because Bowerbirds probably playd eight or so songs too (but I also thought of it as co-headlining since I love both bands).

These aren’t the greatest photos because the lighting was so insanely dark during most of the show, but I tried. One of these days I’ll get a good camera …

Photos after the jump!

Live review/news: Modest Mouse @ Music Hall of Williamsburg


(From my phone, of course. This time I actually meant to bring my camera and totally forgot.)

Ahhh, sleep! I finally got some. Yesterday morning I went to see Modest Mouse at Music Hall of Williamsburg, which was awesome, even if it wasn’t the best set list.

I got there at about 12:30 a.m. (doors were supposedly at 1 a.m.), but the box office was still waiting on the band’s guest list. So I waited around for a while and watched as the line to get in wrapped all the way to the end of the block and around the corner. The list didn’t get there until the venue already started letting people in, and once I got my ticket I still had to go allll the way to the end of the line (even though I was waiting longer than a lot of the people there). It took forever and a half to get in and it didn’t even look like everyone was going to fit in the venue, but alas, once I finally got inside, it didn’t even seem that crowded and I was able to get about four people from the front without even having to push.

The show was supposed to start at 1:30 a.m. but I didn’t even get in the venue until after that, and it took forever to set everything up, so they didn’t come onstage till about 2:30 a.m. There really was no room to move on that stage with six people and a bazillion instruments. It was way more crowded than when I saw Beirut there last month, and they have about 10 people in the band.

Last time I saw Modest Mouse was at Lollapalooza last year, and it was not so great. Obviously the festival setting usually takes away from the band’s performance but I just remember it being pretty boring. Before that, I saw them about four years ago at the Royal Oak Music Theater in Royal Oak, Mich., for the “Good News For People Who Love Bad News” tour, which was amazing, since it’s a small-ish standing-room-only venue (1500-2000ish capacity) and I was pretty close to the stage.

They played until 4 a.m., when the venue said they were out of time, which meant no encore. Also, I thought the last two songs were the worst (not because I hate the songs but one was too slow for staying awake at almost 4 a.m., and the other didn’t really wake me up either), so I was pretty bummed about the ending.

I went home and started writing, saw it get light outside around 5 a.m., slept from 5:15-7:15 a.m., then got up to write some more and go to work because my story was due at 11 a.m. Ohhh, journalism.

Anyway, my story (not really a review, it ran in the news section) for Billboard is here.

Modest Mouse’s setlist:

“Trucker’s Atlas”
“Breakthrough”
“Fire It Up”
“Dance Hall”
“Dashboard”
“Dramamine”
“Satin in a Coffin”
“Wild Packs of Family Dogs”
“Tiny Cities Made of Ashes”
“Little Motel”
“Paper Thin Walls”
“We’ve Got Everything”
“Blame It On The Tetons”
“The Good Times Are Killing Me”

Live review (kind of): Beirut @ Music Hall of Williamsburg


(photos via my phone)

Beirut announced this show on I believe Wednesday, and (not surprisingly) it sold out the same day. Thanks to a good friend of mine who told me it was happening (and contemplated flying out here from Michigan), I bought a ticket and went by myself last night. I live two blocks from the venue, so I got there right around when the doors opened, expecting there to be a bunch of people already waiting in line. Lucky for me, there was pretty much no one — probably because hipsters are too cool to be seen waiting outside before a show, but I could be wrong — so I found a spot directly in front of the stage and made some friends while waiting for the show to start.

Recently, Zach Condon (Beirut started as just him making all of the music) canceled a European tour and announced that the band wouldn’t be touring for a while after a few West Coast dates later this month, which made the show even more of a surprise. We quickly found out that the reason for the show was so we could be “guinea pigs” for the band to test out a couple of new songs (the guy next to me was recording them with his digital camera, so I’m sure they will be on YouTube pretty soon).

I don’t even know where to start with how incredible this show was; the way the 10 people onstage were always in sync, the way Condon enthusiastically conducted them, the way he danced when he wasn’t singing or playing, the crowd’s energy, the band’s energy, Condon’s voice (oh my god, that voice).

Almost everyone played multiple instruments: horn, string and electric bass, ukelele, drums, violin, tambourine, etc. etc., and at times there were as many as five horn players. And the entire show, Condon glowing. I felt like such a creeper/12-year-old girl for taking photos from so close (especially with my phone — for once I wish I had brought my real camera), but I took a few anyway. I also took the setlist closest to me (click on the photo for full size).

Yeah, this definitely made it into my top five shows ever (haven’t totally decided what the other four are, but this is up there).

Beirut’s Web site
Beirut’s MySpace (ha, just realized I had the wrong link for this)
Feature on Beirut from Winter 2007 issue of Venus Zine

Live review: Los Campesinos! @ Music Hall of Williamsburg


(photo by Natasha Ryan)

On Thursday night I saw Los Campesinos! at Music Hall of Williamsburg (conveniently located two short blocks from my apartment) and they were sooo much fun, as expected. I was a little disappointed that they weren’t in the gym clothes I’ve heard they sometimes wear onstage, but they were still super cute.

Both of the openers, Savoir Adore and Murder Mystery, were great too so I highly recommend checking them out if you get a chance.

Read my Venus Zine review here.

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